Following the success of The Black Crook, I'm back in residence at Abrons Arts Center working with composer Nehemiah Luckett on a new adaptation of the first feature length talkie. Come check out one of our screenings as we workshop material in preparation for a Fall 2019 production.
This March class is back in session as the companion piece to Little Lord’s Peanut Butter Show makes its way to NYTW Next Door!
After touring the East Coast last year, Sinking Ship Productions’ A Hunger Artist is going global with stops in Norway and maybe even China!
Orion Stephanie Johnstone, Jeremy Mage and I have officially released the live concert recording of Hail Oblivion featuring some incredible performances by Ato Blankson-Wood, Bryce Pinkham, Rick Burkhardt, Amber Gray and more! Listen at our bandcamp now!
Joshua William Gelb is a director, performer, and librettist whose work runs the gamut from devised physical theater, to stylized adaptations of classics, to original musicals as well as collaborations with emerging playwrights. With an eye for the highly theatrical verging on the cinematic, Gelb’s direction has been known to feature striking integrations of music, movement, clowning, and dance. Recent projects include a re-imagining of America’s supposed first musical The Black Crook at Abrons Arts Center, about which he recently lectured at Harvard University's Houghton Library. His adaptation of Kafka's A Hunger Artist, developed with Sinking Ship Productions, was part of the Tank's Flint and Tinder series and has since travelled to the Edinburgh Fringe and continues to tour. Other productions include Bear Slayer (Ars Nova), Party in the USA (Incubator Arts Project/Edinburgh Fringe), Clara Not Clara: A Nutcracker (Minnesota Dance Theater / Knockdown Center / LMCC Process Space), Sometimes in Prague (Ice Factory / Joe's Pub / Polyphone Festival), Love My Band (Dixon Place), Dukus (Target Margin Lab), and Blind Alley Guy (Incubator Arts Project). The album of his pirate musical Hail Oblivion is currently available on Bandcamp. He is a frequent contributor to Little Theater at Dixon Place, and has directed several successfully returning #Serials at The Flea. With Room5001 Theater, Gelb conceived and directed the notoriously revisionist all-male Man of La Mancha. Gelb received his BFA at NYU Tisch’s Playwrights Horizons Theater School and his MFA in directing at Carnegie Mellon's School of Drama where he graduated as a John Wells Fellow. He has assisted Marianne Weems (The Builders Association) and Rebecca Taichman (Soho Rep), is a member of the 2012 Lincoln Center Directors Lab, and an associate artist with Sinking Ship Productions.
As a performer Gelb has recently appeared in Little Lord’s The Peanut Butter ShowLittle as well as their BambiFucker/Kaffeehaus (The Brick) and Pocahontas and/or America (Bushwick Starr). Also, How to Hamlet (Theater Reconstruction Ensemble), Memory Retrograde (Haruna Lee), Empire Travel Agency (Woodshed Collective), She is King (Dixon Place/Other Forces Festival/Boom Arts), The Floatones (La Mama/Dixon Place), Thanksgiving! A! Pageant! (Ars Nova) as well as his own productions of Bear Slayer, Dukus, Blind Alley Guy, and Party in the USA.
For Video Work Samples, you can check out my Vimeo Page.